Posts Tagged ‘writer’

How We Write: Living the Book…

Thursday, January 26th, 2012

What challenges us emotionally in life, challenges our novel writing. What we’re best at in life, becomes what we look forward to most in our writing process. I teach this dynamic all the time–and I live it. If you’re a seat-of-the-pants writer, it wouldn’t be a coincidence if you’re not a list maker or a planner in the “real” world.” If you LOVE to revise (like me), it’s likely that analyzing things and breaking them into their orderly parts is you everyday zen (at least it’s something that doesnt’ drive you nuts the way it seems to for everybody else).

CatCrazyWriter

Flip that around. If the unknown scares you, and you tend to plan for likely outcomes before you embark on a journey, drafting a new novel won’t make you warm and fuzzy (I tend to call the feeling a blank Page 1  invokes in me abject terror, but that might be a bit extreme for the rest of you.)

 But if you’re the wanderer, dreaming of a backpacking trip through Europe where you merely have a start point and a destination and you’ll figure out pesky details like lodging and food and transpo along the way, well…you’re nuts! Eh-hem. What I meant to say is that I suspect writing blind into a new story is a mighty lovely place for you. Until you hit The End, and have to go back and break things down into their parts, rework your rough draft pieces into a better whole, then knit everything back together (which anal retentive, geeky analytical girls like me tend to think of as Nirvana ;o).

My point to my students is never that either one or the other of these approahces is bad, in either life or writing. But that it’s best to know your strengths and weaknesses and to play one up, while compensating for the other. If it takes you forever to write a draft (to the point that you revise and revise and revise your first 100 pages while never writing the rest of the novel), take a look at why. If you can’t “make” yourself go back and revise a first draft because all the fun’s gone out of the story for you now that you know how it ends, and the idea of working with it anymore makes you nauseous, take a look at why.

rock bottom (more…)

How We Write: Time to Revise…

Thursday, January 19th, 2012

“Being practical, yet innovative…” A friend and freelance client emailed that sentiment to me during an exchange about the beautiful novel I’m helping her take apart and revise. I’m pushing her to dig deep. She’s wanting to keep as much as possible of the beautiful inspiration that drove her to write in the first place. And she should–as long as the reader feels equally inspired to devour her beautiful words. Which is what revision is all about, and what makes it so hard and time consuming, and why the majority of those who attempt to publish never make it to a book contract–it’s VERY hard to craft a story that readers will love half as much as you did when you first envisioned it.

story

Let me repeat. Rewriting a manuscript until it’s reader-ready is hard. Brutal. Seldom pretty, at least at first. And it takes time.To analyze. Re-evaluate. Re-focus. And only then, to revise what you’ve already painstakingly completed. The process takes a creative artist out of her comfort zone and dumps her into the hell of picking apart word and character and theme and plot choices, drilling deeper until the true meaning and purpose of each piece is (effortlessly) crystal clear to a reader.

This isn’t a post on the method and technique of revision. I’ve done that already, so scroll back through How We Write, or attend one of the half-dozen workshops I’m already scheduled to give this year, the majority of which will include a discussion of rewriting. This is a blog about attitude. Fortitude. Determination to maintain your unique writer’s voice, while doing the writer’s day-to-day job of reaching others through story.

If you can’t commit to doing that, once it’s made very clear to you how hard and uncomfortable and unpleasant that part of your job can be, then that successfully published novel of your dreams won’t become a reality, no matter how wonderful your original idea might have been. I fact, it’s that very commitment to making your story everything it should be that protects that innovation bursting to live through your imagination.

 innovation

By successful, I mean a story that reaches into readers hearts and souls and pulls out the best and worst of who they are, all while you’re transporting them to a fictional place that existed only in your mind before they began reading your words. (more…)

How We Write: Central Conflict

Thursday, January 12th, 2012

Without conflict, your story has no forward momentum. Your characters have no motivation to act. There’s no goal they can’t achieve. So, in commercial fiction at least, there’s no reader engagement, no matter how well what you’ve written is, well, written. For lack of a better analogy, you need combustion that will lead the reader to expect some future explosion that’ll keep them on the hook through the rest of the wonderful things you plan to do.

explosion

And I’m not just talking about suspense plots.In addition to writing (and now editing) romantic suspense as well as crafting sci-fi/fantasies that are full-on thrillers, I also write home and family dramas (straight contemporary romance) where the same level of escalating conflict and tension must still exist, in order for the reader to care enough to turn the page.

Conflict is how readers identify with your characters. It’s how the story transports the reader through a purely fictional journey. How deeply do the dilemmas you put the protagonist through resonate? How carefully do you craft the internal motivation and goals and tension the character must resolve, and are there external factors (anchors and stumbling blocks) that drive that person to do and behave and learn and grow and fail and, ultimately, succeed?

Conflict IS NOT petty arguments and bickering between the leads. (more…)

The Soul of the Matter: Change Me, Change You

Tuesday, January 10th, 2012

Change is an exciting thing. Some days. When you’re embracing the new. Other days, it can bite. BUT–change is always better, once you’ve found your place in it. I’ve found mine in publishing.After taking over a year off for personal reasons, I’m writing again. I’m submitting to excited publishers (none of whom who have said YES, yet, but the excitement is wonderful for me, as they welcome me back into the flow). And I’m making the freelance editing and teaching and travel to present workshops I’ve been doing for years official–I LOVE working with writers, I love exercising the more technical skills of editing that were once my whole job as a senior tech writer, and I love romantic suspense. Now I’m a romantic suspense editor.

What a way to spin into a new year!

excited face

It wasn’t long ago that 2010 was, for me, about fear (health scares and such) and the publishing industry crumbling around all of us. 2011 was rebuilding and fulfilling the last of my ‘10 obligations and nervously promoting an exciting novel in a new digital media world I really didn’t understand when I first started. And now, 2012. More change. For all of us.

For me, I’ll be embracing it. I’m putting all I have into these new opportunities and finding my place in them.  New novels I will find publishers and an audience for, however that makes sense now, rather than how it worked a few years ago. Teaching six different groups (by today’s count), after having to spend most of ‘11 off the road, and I can’t wait to connect with other creatives who love to do what I do, and maybe help them on their own journeys just a little bit. And now I’m part of an exciting team of women, writers all of us, who are taking our passion for storytelling and working with authors and turning it into something really amazing at Dead Sexy Books.

How many writers will I get to help at Entangled? How many books will find excited readers, because of what we’ll do in 2012.

excited girl

It makes my soul smile, in all parts of my life, to be so optimistic about what’s ahead. It’s taken me a few years to get healthy and caught up and ready for this new plunge. But it’s a very good day. No matter whatever stumbling blocks come my way, and there will be more than a few if I have my guess, it’s going to be a VERY good year!

How will 2012 change your life? How will you partner with the stream of “new” flowing through your life, and make this year everything you’ve dreamed it could be?

Make this year your home. Find your place, your soul, in the decisions you make!

The Soul of the Matter: Why do we?

Wednesday, January 4th, 2012

Why do we work, love, write, care? Why don’t we enjoy who and what we are more this year, than ever before? Inspiration is the soul of the matter, as is running with that mission, that message, that kernal of us we protect too carefully and too seldom follow with abandon.

inspire

Why don’t we follow our inspiration more?

  • Are we afraid of all that we want? Nothing should be that simple.
  • Are we too tired to take our heart’s desires into our own hands and fight for that promise? That’s more likely.
  • Are we programmed to only see the work, never the gain? Why, I think we’ve arrived.

We are that quiet place inside that speaks when the rest falls away.

Heart's Desire

We are our dreams, and those inspirations are the hope that carries us through so much.This is the symbolism, the recurring metaphor that speaks to my work and my life. I think it speaks to all of us.

Whether you see yourself as creative or not, there’s a voice inside you (your soul, if you will), promising that you’re more than the sum of your parts.

This year, listen to that voice and celebrate the “why” of all that you are:

  • Each day, make a note in your journal, naming the part of you singing loudest that morning.
  • Jot down the tune that yearns to fill your day with magic.
  • Circle back before bed, and see what your voice has shown you, now that the rest is sleeping.

Be inspired in your writing and your family and your work and your dreams. That’s my 2012 wish for you!

How We Write: Revising WITHOUT Fear

Wednesday, November 30th, 2011

I received editorial revisions the other day. I’m a multi-published author. So, no big deal, right? WRONG. Revisions are hard. They’re built that way. If they were easy, everyone would be published traditionally and selling millions. And any working writer that tells you differently is just plain fibbing.This post is for everyone who wants to see their words in print, the published and the unpublished and the newly “WINNING” nanowrimo masses and those who think it’s always easier in someone else’s writing reality. 

rewriting R

The reality is, the better you revise, the better your book will typically read for your reader. The more push it will have from your imprint. The more established you will find yourself within the very small world of publishing. Those who’re self-publishing without the benefit of a third-party editor, you’re in the same boat, except that you have to see the holes in your story that are more and more difficult to see the deeper you get into creating it. So we all schedule and accept it into our process the way you do everything else right?

revisions calendar

Yeah. No.

Why is it so hard?

Two reasons, one that veers toward mechanics and one that takes a head trip inward to the heart of all that we do for our creative dreams. (more…)

How We Write: NANOWRIMO and how we DON’T write!

Wednesday, November 16th, 2011

I have a concern every November that the sheer quantity of words everyone participating in NANO produces won’t result in finished pieces/novels that will ever be revised well enough to sell. But what cheers my heart every year is the sound of writers hitting their writing goals and learning a little more about what’s blocking them.

Writers Block Calvin and Hobbs

Because, here’s the thing. All writers arrive at this dream of creating and sharing our inner lives with the world, capable of absolutely shutting down our ability to write with nothing more than doubt and fear and frustration over how EASY it is for everyone else to do what is most difficult for us. When the reality is, IT’S DIFFICULT FOR EVERYONE.

Part of our job is learning how to write through the speed bumps of our inspiration and self-esteem and premonitions of failure. We have to believe in ourselves more than we do the growing pile of scenes and character sketches and rejected story lines that we ALL discard with every project.

writers block trashcan

This is called research and draft writing and immersing yourself in your project. (more…)

Writing Beautiful…

Thursday, November 10th, 2011

Twelve days, immersed in writing and writers and the beauty of creative minds seeing and sharing the world around them. I’ve come back from my sabbatical to a flood of social media NANO page count mania, and I have the strongest urge to shout, “Stop the Insanity!!!” Not that writing daily and being prolific isn’t my personal mantra, as a commercial fiction writer trying to make a living by producing pages that readers can’t put down. But there’s so much more to it than that, and my mind is still swirling with the other that sustains me. With images like this that inspire and guide and beguile you to make each word matter and resonate, even if it means less words that day:

lake sunrise color

Where I’ve been this last few weeks, a sunrise can look like this every day.This moment was mine, simply because I walked to the end of my friend’s doc. But how do I make it yours? How can I possibly show you how to feel this color, this openness, this majestic infinity the way I did a few days ago?

And then, just minutes later, there was this:

lake sunrise mist

How is it possible that light and air and water could shift around and inside me to become something wholly new, right before my eyes? (more…)

I Hear the Craziest Things: I’m NOT the weirdest author on the planet…

Saturday, July 16th, 2011

Who’d have thought that my odd ticks as a writer were tame in comparison to the masters of eccentricity?

  • Truman Copote wrote lying on a couch, with a drink in on hand and a pencil in the other.
  • A Newsweek reporter stripped down to his boxers to work so he didn’t wrinkle his clothes.
  • An acclaimed female author writes facing a brick wall, saying among other things that it seems a fit metaphor for being a writer. Heh.
  • Hemingway created only 500 words a day, telling a friend he got one page of masterpiece for every 91 pages of sh**t.
  • And the list goes on.

copote

Take a peak for yourself.

And, if you’re a writer or artist of any kind, feel good about your own messed up process ;o)

How We Write Wednesday: Putting the Writing First…

Wednesday, July 13th, 2011

I’ve been asked to HoWW blog more about putting the writing first…even when we’re being told (and seeing)  EVERYthing else in the business is more important. Especially the insanity we call social media (yesterday’s topic, where I ranted about writing first, because who knows what’s really making a difference on Facebook and Twitter anyway, no matter what the “experts” say).

Social media Insanity

It’s funny, when you think about it. Blogging about not blogging or tweeting or FB statusing so much that you never groove on your craft. Your art. Your purpose to begin with for dipping your toe in the Internet mustof “connecting.” We try to carve out niche in this great beyond. #weWRITE is a great example, which Jen Talty and I started after a few months of HoWW blog posts, to get writers talking about writing alone on Twitter, not just pimping their books or blogs or promo platforms.

We work to be relevant and plugged in and visible. But why? To support our writing, yes. But we do that best BY writing. To support our career? Better. But many of the folks doing the social media thing most fervently don’t have creative writing careers yet. They’re following the advice of social medial gurus telling them that building a following and pseudo platform (before there’s anything to sell from said stage) is more important to publishers these days than the product of the hard, daily, grinding writing work they’ve yet to do long enough to publish. To connect? That’s more to the point, I think.

We write alone, as I said yesterday, most of the time. And social media is a great way to connect with other writers, those we admire in the business, and, yes, those we trust to advise us about our journey. But it’s the massive scope of that very content we’re daily struglling to take in that, in my opinion, begins to overtake the writing itself, unless we’re very careful.

Because here’s the thing for me–anyone, ANYone, telling you to spend any significant portion of your day doing anything BUT writing, is doing damage to your chances of publishing. (more…)