Jenni’s talking process this month, as we teach a blog series on plot. I sharing details from a critique she did for my soon-to-be-released Secret Legacy. She did the narrative structure tap dance last Wednesday. Today, let’s get into what I did when her “I am a plotting maniac” analysis assured me that I had no plot at all…
I just gave a workshop on the importance of planning. For those who are new to HoWW because you heard my lecture last weekend and thought you’d pop over and see what all the fuss was about, let me fess up. I began writing Secret Legacy before a medical crisis, stopped a month in (for several months) while I dealt with surgery and the fall out, then took up the drafting again mid-recovery (when in fact my health was getting worse, not better). Which is my excuse for having NO PLAN (other than my intuitive understanding of of characters I’d written in Dark Legacy and the overall series and story arc I wanted to tell). I was drafting blind, which is how I know for certain, when I teach, that my students don’t ever want to be where I was when I asked Jenni to read the ugly first draft because I knew it was way off.
I knew my characters and everything about what I wanted them to feel. I was feeling everything with them. I had 300 pages of feeling that was the best, most accessible emotion I’ve ever put on the page (did I mention I was a mess when I wrote the first draft???). I’d written, I kid you not, the dead-on, most amazing ending I’ve every pulled together, that resolved issues I’d written about for two books, leaving the door open for a sprawling series I hope to be writing into for years to come.
But, as Jenni pointed out last spring and in her last post, I had absolutely no plot reason for my principle characters to be emoting all over the reader or each other in key places in the book. (more…)








