Posts Tagged ‘publishing’

How We Write: The Soul of the Matter

Tuesday, March 6th, 2012

My Soul of the Matter posts are usually about my life and the life I see going on around me, and how I try to change daily the things I let prevent me from actually living. Because surviving isn’t enough. Thriving should be the goal. How We Write is usually a motivational rant about finding the soul of your writing, and not just worshiping craft rules. Today, I hope to accomplish both.

keep_it_simple

How we write isn’t always about process and technique. Because we’re creating story. And story is a powerful mechanism for changing minds, and through them our world. Always has been. We write because something drives us to touch readers’ imaginations and hearts and emotions. Their souls. That’s a powerful motivation that should never be completely obscured by our how.

My point?

Every story has a beginning. No matter how beautifully you’re capable of stringing words together, your story begins and ends with your character and your reader’s experience of that character’s journey. Your story must resonate with the heart. It helps if you connect with a theme (even in comedy) that reaches deep inside for a universal truth that can’t be denied. Then, if your gift is writing and you can master the toolbox of techniques that we must learn to bring that vision to life, your reader’s world will most definitely be touched by whatever inspired you to reach them.

How do we write ?

We focus first on the story, for as long as it takes to discover what we most want to say. And only then do we sit down to write.

thunk

For me, I’m an angsty writer who wishes my gift was making folks laugh until they cry. My work is cathartic at more of the other end of the spectrum. Darker-themed, challenging emotional journeys come to me. Always have. Like this morning, when it only took the first five minutes of my news program for my entire day (my life) to shift as I listened to this. (more…)

The Soul of the Matter: Capturing the Inspiration…

Tuesday, February 28th, 2012

Road trips clear your mind, so why not take your  mind on a trip whenever you need that hit of inspiration, whenever your work needs that fuel? We all are in the weeds at some point, in every creative endeavor–writing, editing, parenting, not killing our children or spouses when they’re jumping up and down on our last nerve. That’s when we need a trip the most: a mini-fix, capturing you back to a past getaway, through the pictures that refuse to let your forget. Like these I took on my beach walk last night. Now, they can be every night for me. And your night, too, if you’ll let them…

Misty surf becoming clouds.

misty doc

Violet consuming light.

stormy dock back

The sun, a valiant, final stand.

clouds sun breaking

An ethereal show. (more…)

Publishing Isn’t for Sissies: Inside the Barrel

Thursday, February 23rd, 2012

The end-all-be-all of surfing is riding inside the barrel, where the wave hollows out and curls over you and you’re riding free inside the monster. It’s a bitch to get there, it’s a dangerous place, yet it’s heaven at the same time. Much like how a writer feels, cruising  toward the last third of a novel’s rough draft. It’s a desperate place, hollowed out and empty, but it’s magic–if you can grit out the ride long enough to get yourself there.

surfing barrel

Most writers are clucked from time to time: a surfer’s term for being scared of waves. Writers, we’re scared of our stories more often than we want to admit. Not exactly what we want the world that devours our end-goal to know. Because it’s not really the story, in the end, that freaks us out. It’s the drop (yeah, this will be a running theme, deal with it ;o).

surfing drop

While surfing, the drop is where a surfer first gets up on a wave, then points his board straight down the face of it, plunging toward nothingness, until he either takes the needed turn and flies, or eats it. (more…)

How We Write: Crunchy

Tuesday, February 21st, 2012

Heads down in a three-quarters completed draft, I’m also coaching an author preparing for the same creative battle: making story and characters come alive by force of will and your imagination alone. My first comment to her–it’s going to get crunchy. Don’t expect a cake walk. In fact if it’s not an all-out battle, you’re not challenging yourself enough.

Angry woman

That’s right. We write uneven and clunky and, yes, crunchy stuff when we’re slogging through the draft. And for most of us, even those of us who’ve published novels into the double digits, it gets harder the more stories we challenge, not easier. That’s the way it works. The more you learn about story, the more you decide to do with it, the less intuitive it can sometimes be to create what appears to be an effortless journey to the reader.

Several things cause the anxiety and mind-numbing tangents we encounter when we draft: (more…)

How We Write: Free Writing (Drafting) with a Plan…

Friday, February 17th, 2012

In addition to editing/reading other author’s manuscripts this month, I’m in the throws of drafting a new book of my own. Eeek! Writing into the ether isn’t my happy place. So I free-write with a plan. Huh? you say. Yep, I plan my characters and as many plot turning points as possible before I start. How? I’m so glad you asked…

 planning

My half-day workshops focus on my theory that if you know what you intend to accomplish with a character and/or story arc BEFORE you write a scene, you’ve got a much better chance of actually producing a successful experience for the reader once you’re done. And if you know what you want the reader to feel and take away from an entire chapter or a whole section of your novel, before you begin stringing scenes together, you’ll be aware of that plan as you write and your subconscious and instincts will help you not write yourself or your characters into corners you can’t plot out of once you’re there.

Having a goal in mind doesn’t mean you’re forcing yourself to follow only one path to your story goal, (more…)

Publishing Isn’t for Sissies: On the Radar

Monday, February 13th, 2012

I’m an author, always writing and pitching my work to publishers and (hopefully) reaching readers with ever-new titles. Now I’m also an acquiring editor, too, officially reading other writer’s submissions, searching for the perfect new story for Entangled Publishing’s soon-to-debut Dead Sexy suspense line. Which for some has become a, “Houston. We have a problem,” moment.

houston-we-have-a-problem

“What are you thinking?” a few have asked. Let me ‘Splain.

For me, I’m seeing more options than problems these days. And where I see and understand options that are in my best interest, I act.

I’ve freelanced edited for fiction writers for years–private work stemming from the countless workshops and weekend retreats I teach about writing craft and the romance publishing industry. Before that I was an professional editor, in my senior tech writing gig. Before that…well, we won’t get into (again) how my IT training and project management experience prepared me for the type of analysis needed to break story down, understand its parts, and help people learn how to knit it all back together in their own unique way.

Because that’s all backstory. And as I tell authors, backstory is only a place to begin. Me being qualified for the gig isn’t really the point–without primo qualifications, the savvy team at Entangled wouldn’t have hired me in the first place. The real issue I had to face as I decided whether or not to take their job offer, was what did it mean, me officially moving over to the business side of this journey, at least as I work to help other authors achieve their publishing dreams.

dreamscometrue

And that, that being a conduit for another writers’ hard work transforming into a dream-come-true, IS what matters to me and the other editors at Dead Sexy. (more…)

How We Write: Character Rules!

Wednesday, February 8th, 2012

Most every writer’s heard of scene and sequel. Jack Bickham’s Elements of Fiction Writing is some of the best instruction on novel structure out there. But he, and I today, aren’t merely talking about plot. The key is to apply structure principles to your characters every step of the way. Because, as Robert McKee tells us, plot IS character.

family guy

I’ve studied with both these masters. Bickham, in addition to devouring his books, I bought a workshop series from and wish I’d had the chance to hear him in person before his death. McKee, who isn’t dead but some who attended the three-day scriptwriting seminar attended most likely wished him so, was worth the money and travel expense ten times over, given what I walked away from his course better understanding about the real source of good writing.

It’s character.All the plot rules, setting rules, structure rules, symbol rules, and any other thing that someone’s tried to make you think is most important to story, is actually about CHARACTER. Because your story is about character. Each scene and its sequel, each element and act and conflict and motivation… It’s all about character.

mad scientist

Readers want the journey. (more…)

How We Write: The Soul of the Matter…

Wednesday, February 1st, 2012

If you want to write, write. If you want to publish, prepare to work your ass off getting very, very good at your writing. This business is all about soul. And I’m not just talking about your unique, creative voice–though that’s incredibly important, too. Today, I’m talking about grit. Stick it out, find your own way, stop waiting for everyone else to make this crazy business sensible and welcoming and easy, G-R-I-T.

grit

I write my books; I edit for other authors. I’m close to offering my first two book contracts for Entangled Publishing. After publishing 16 novels of my own and reading countless propsals others have written over the years, all I know for sure is, this is all about soul.

  • Have you been rejected (like me)? Figure out if you have what it takes to get up the next morning and start over from nothing–because every published author must do that each and every time they meet a deadline.
  • Do you have a day job (like me)? Buckle down and accept that your personal life off the clock belongs first to the book you need to finish, not your hobbies and social (media) life–because the majority of published authors don’t make enough off their writing to support their families, so we’re all hoofing it to make ends meet while trying to stay creative in the dark hours of early morning.
  • Do you have a busy family (like me)? Love them and care for them, the tell them your entire life doesn’t revolve around them and they’re going to have to take care of themselves the 1,2,3 hours a day that you devote to your writing. Otherwise, they’ll consume you (and maybe that’s what you want, if family is the excuse you’re making daily for not creating new words).
  • Have you been dealing with an illness (like me)? Deal with it, by all means, your health is everything. But for Dog’s sake, knock off saying your illness is responsible for you not moving forward in your writing. I don’t mean to be insensitive or unkind, but whatever your condition is, I assure you I can find others who’ve managed to succeed battling far worse circumstances–because they refused to quit.

Soul is the thing that lives and breathes inside us, regardless of the piles of s**t raining down on our worst days. (more…)

How We Write: Living the Book…

Thursday, January 26th, 2012

What challenges us emotionally in life, challenges our novel writing. What we’re best at in life, becomes what we look forward to most in our writing process. I teach this dynamic all the time–and I live it. If you’re a seat-of-the-pants writer, it wouldn’t be a coincidence if you’re not a list maker or a planner in the “real” world.” If you LOVE to revise (like me), it’s likely that analyzing things and breaking them into their orderly parts is you everyday zen (at least it’s something that doesnt’ drive you nuts the way it seems to for everybody else).

CatCrazyWriter

Flip that around. If the unknown scares you, and you tend to plan for likely outcomes before you embark on a journey, drafting a new novel won’t make you warm and fuzzy (I tend to call the feeling a blank Page 1  invokes in me abject terror, but that might be a bit extreme for the rest of you.)

 But if you’re the wanderer, dreaming of a backpacking trip through Europe where you merely have a start point and a destination and you’ll figure out pesky details like lodging and food and transpo along the way, well…you’re nuts! Eh-hem. What I meant to say is that I suspect writing blind into a new story is a mighty lovely place for you. Until you hit The End, and have to go back and break things down into their parts, rework your rough draft pieces into a better whole, then knit everything back together (which anal retentive, geeky analytical girls like me tend to think of as Nirvana ;o).

My point to my students is never that either one or the other of these approahces is bad, in either life or writing. But that it’s best to know your strengths and weaknesses and to play one up, while compensating for the other. If it takes you forever to write a draft (to the point that you revise and revise and revise your first 100 pages while never writing the rest of the novel), take a look at why. If you can’t “make” yourself go back and revise a first draft because all the fun’s gone out of the story for you now that you know how it ends, and the idea of working with it anymore makes you nauseous, take a look at why.

rock bottom (more…)

How We Write: Time to Revise…

Thursday, January 19th, 2012

“Being practical, yet innovative…” A friend and freelance client emailed that sentiment to me during an exchange about the beautiful novel I’m helping her take apart and revise. I’m pushing her to dig deep. She’s wanting to keep as much as possible of the beautiful inspiration that drove her to write in the first place. And she should–as long as the reader feels equally inspired to devour her beautiful words. Which is what revision is all about, and what makes it so hard and time consuming, and why the majority of those who attempt to publish never make it to a book contract–it’s VERY hard to craft a story that readers will love half as much as you did when you first envisioned it.

story

Let me repeat. Rewriting a manuscript until it’s reader-ready is hard. Brutal. Seldom pretty, at least at first. And it takes time.To analyze. Re-evaluate. Re-focus. And only then, to revise what you’ve already painstakingly completed. The process takes a creative artist out of her comfort zone and dumps her into the hell of picking apart word and character and theme and plot choices, drilling deeper until the true meaning and purpose of each piece is (effortlessly) crystal clear to a reader.

This isn’t a post on the method and technique of revision. I’ve done that already, so scroll back through How We Write, or attend one of the half-dozen workshops I’m already scheduled to give this year, the majority of which will include a discussion of rewriting. This is a blog about attitude. Fortitude. Determination to maintain your unique writer’s voice, while doing the writer’s day-to-day job of reaching others through story.

If you can’t commit to doing that, once it’s made very clear to you how hard and uncomfortable and unpleasant that part of your job can be, then that successfully published novel of your dreams won’t become a reality, no matter how wonderful your original idea might have been. I fact, it’s that very commitment to making your story everything it should be that protects that innovation bursting to live through your imagination.

 innovation

By successful, I mean a story that reaches into readers hearts and souls and pulls out the best and worst of who they are, all while you’re transporting them to a fictional place that existed only in your mind before they began reading your words. (more…)