Archive for the ‘How We Write’ Category

How We Write: Character Rules!

Wednesday, February 8th, 2012

Most every writer’s heard of scene and sequel. Jack Bickham’s Elements of Fiction Writing is some of the best instruction on novel structure out there. But he, and I today, aren’t merely talking about plot. The key is to apply structure principles to your characters every step of the way. Because, as Robert McKee tells us, plot IS character.

family guy

I’ve studied with both these masters. Bickham, in addition to devouring his books, I bought a workshop series from and wish I’d had the chance to hear him in person before his death. McKee, who isn’t dead but some who attended the three-day scriptwriting seminar attended most likely wished him so, was worth the money and travel expense ten times over, given what I walked away from his course better understanding about the real source of good writing.

It’s character.All the plot rules, setting rules, structure rules, symbol rules, and any other thing that someone’s tried to make you think is most important to story, is actually about CHARACTER. Because your story is about character. Each scene and its sequel, each element and act and conflict and motivation… It’s all about character.

mad scientist

Readers want the journey. (more…)

How We Write: The Soul of the Matter…

Wednesday, February 1st, 2012

If you want to write, write. If you want to publish, prepare to work your ass off getting very, very good at your writing. This business is all about soul. And I’m not just talking about your unique, creative voice–though that’s incredibly important, too. Today, I’m talking about grit. Stick it out, find your own way, stop waiting for everyone else to make this crazy business sensible and welcoming and easy, G-R-I-T.

grit

I write my books; I edit for other authors. I’m close to offering my first two book contracts for Entangled Publishing. After publishing 16 novels of my own and reading countless propsals others have written over the years, all I know for sure is, this is all about soul.

  • Have you been rejected (like me)? Figure out if you have what it takes to get up the next morning and start over from nothing–because every published author must do that each and every time they meet a deadline.
  • Do you have a day job (like me)? Buckle down and accept that your personal life off the clock belongs first to the book you need to finish, not your hobbies and social (media) life–because the majority of published authors don’t make enough off their writing to support their families, so we’re all hoofing it to make ends meet while trying to stay creative in the dark hours of early morning.
  • Do you have a busy family (like me)? Love them and care for them, the tell them your entire life doesn’t revolve around them and they’re going to have to take care of themselves the 1,2,3 hours a day that you devote to your writing. Otherwise, they’ll consume you (and maybe that’s what you want, if family is the excuse you’re making daily for not creating new words).
  • Have you been dealing with an illness (like me)? Deal with it, by all means, your health is everything. But for Dog’s sake, knock off saying your illness is responsible for you not moving forward in your writing. I don’t mean to be insensitive or unkind, but whatever your condition is, I assure you I can find others who’ve managed to succeed battling far worse circumstances–because they refused to quit.

Soul is the thing that lives and breathes inside us, regardless of the piles of s**t raining down on our worst days. (more…)

How We Write: Living the Book…

Thursday, January 26th, 2012

What challenges us emotionally in life, challenges our novel writing. What we’re best at in life, becomes what we look forward to most in our writing process. I teach this dynamic all the time–and I live it. If you’re a seat-of-the-pants writer, it wouldn’t be a coincidence if you’re not a list maker or a planner in the “real” world.” If you LOVE to revise (like me), it’s likely that analyzing things and breaking them into their orderly parts is you everyday zen (at least it’s something that doesnt’ drive you nuts the way it seems to for everybody else).

CatCrazyWriter

Flip that around. If the unknown scares you, and you tend to plan for likely outcomes before you embark on a journey, drafting a new novel won’t make you warm and fuzzy (I tend to call the feeling a blank Page 1  invokes in me abject terror, but that might be a bit extreme for the rest of you.)

 But if you’re the wanderer, dreaming of a backpacking trip through Europe where you merely have a start point and a destination and you’ll figure out pesky details like lodging and food and transpo along the way, well…you’re nuts! Eh-hem. What I meant to say is that I suspect writing blind into a new story is a mighty lovely place for you. Until you hit The End, and have to go back and break things down into their parts, rework your rough draft pieces into a better whole, then knit everything back together (which anal retentive, geeky analytical girls like me tend to think of as Nirvana ;o).

My point to my students is never that either one or the other of these approahces is bad, in either life or writing. But that it’s best to know your strengths and weaknesses and to play one up, while compensating for the other. If it takes you forever to write a draft (to the point that you revise and revise and revise your first 100 pages while never writing the rest of the novel), take a look at why. If you can’t “make” yourself go back and revise a first draft because all the fun’s gone out of the story for you now that you know how it ends, and the idea of working with it anymore makes you nauseous, take a look at why.

rock bottom (more…)

How We Write: Time to Revise…

Thursday, January 19th, 2012

“Being practical, yet innovative…” A friend and freelance client emailed that sentiment to me during an exchange about the beautiful novel I’m helping her take apart and revise. I’m pushing her to dig deep. She’s wanting to keep as much as possible of the beautiful inspiration that drove her to write in the first place. And she should–as long as the reader feels equally inspired to devour her beautiful words. Which is what revision is all about, and what makes it so hard and time consuming, and why the majority of those who attempt to publish never make it to a book contract–it’s VERY hard to craft a story that readers will love half as much as you did when you first envisioned it.

story

Let me repeat. Rewriting a manuscript until it’s reader-ready is hard. Brutal. Seldom pretty, at least at first. And it takes time.To analyze. Re-evaluate. Re-focus. And only then, to revise what you’ve already painstakingly completed. The process takes a creative artist out of her comfort zone and dumps her into the hell of picking apart word and character and theme and plot choices, drilling deeper until the true meaning and purpose of each piece is (effortlessly) crystal clear to a reader.

This isn’t a post on the method and technique of revision. I’ve done that already, so scroll back through How We Write, or attend one of the half-dozen workshops I’m already scheduled to give this year, the majority of which will include a discussion of rewriting. This is a blog about attitude. Fortitude. Determination to maintain your unique writer’s voice, while doing the writer’s day-to-day job of reaching others through story.

If you can’t commit to doing that, once it’s made very clear to you how hard and uncomfortable and unpleasant that part of your job can be, then that successfully published novel of your dreams won’t become a reality, no matter how wonderful your original idea might have been. I fact, it’s that very commitment to making your story everything it should be that protects that innovation bursting to live through your imagination.

 innovation

By successful, I mean a story that reaches into readers hearts and souls and pulls out the best and worst of who they are, all while you’re transporting them to a fictional place that existed only in your mind before they began reading your words. (more…)

How We Write: Central Conflict

Thursday, January 12th, 2012

Without conflict, your story has no forward momentum. Your characters have no motivation to act. There’s no goal they can’t achieve. So, in commercial fiction at least, there’s no reader engagement, no matter how well what you’ve written is, well, written. For lack of a better analogy, you need combustion that will lead the reader to expect some future explosion that’ll keep them on the hook through the rest of the wonderful things you plan to do.

explosion

And I’m not just talking about suspense plots.In addition to writing (and now editing) romantic suspense as well as crafting sci-fi/fantasies that are full-on thrillers, I also write home and family dramas (straight contemporary romance) where the same level of escalating conflict and tension must still exist, in order for the reader to care enough to turn the page.

Conflict is how readers identify with your characters. It’s how the story transports the reader through a purely fictional journey. How deeply do the dilemmas you put the protagonist through resonate? How carefully do you craft the internal motivation and goals and tension the character must resolve, and are there external factors (anchors and stumbling blocks) that drive that person to do and behave and learn and grow and fail and, ultimately, succeed?

Conflict IS NOT petty arguments and bickering between the leads. (more…)

How We Write in 2012: The Soul of the Matter…

Wednesday, December 28th, 2011

I wanted this Wednesdays writing blog is your one-stop INSPIRATION destination for your 2012 creativity and publishing dreams. How will you excel? How will you write every day, even amidst conflict, chaos and adversity? How will you create that which you alone were put on this earth to bring to life through story? After all, isn’t 2012 supposed to be the end of the world… In that case, we better get a move on. We’re running out of time ;o)

2012 planets

Despite 2011’s challenges (on top of 2010’s ;o), both with my personal health and the industry upheaval happening around all of us, I find myself giddy at the thought of what this newest year in our lives will bring. More ownership of our destinies and the fruits of our writing labors. More opportunity than ever before to reach readers clamoring for the escape that you bring them. More ways to engage your soul in your work, and take every chance that could lead you forward.

Move. That’s my overall goal, my “How” for 2012.

2012 goals

  • I will move forward.
  • I will take initiative and take chances and take opportunity and run with them all.
  • I will ask the right questions and listen to those I trust to share their insight and choose, without fear, what my next course of action will be. Then the next.
  • I will role with the punches and move forward despite obstacles and setbacks.
  • I will believe that there is success awaiting me around every corner, and I will work my ass off to claim those victories.

What are yours?

2012 is shaping up as a year where we can very much shape our reality simply by the viewpoint and perspective in which we choose to see our world.

  • Do you see exciting opportunity or scary change?
  • Are you ready to dive in and work hard, or too tired to start over yet again?
  • Do you learn from past mistakes and roads not taken, or do you use failure as an excuse to stop trying?
  • (more…)

How We Write: Revising WITHOUT Fear

Wednesday, November 30th, 2011

I received editorial revisions the other day. I’m a multi-published author. So, no big deal, right? WRONG. Revisions are hard. They’re built that way. If they were easy, everyone would be published traditionally and selling millions. And any working writer that tells you differently is just plain fibbing.This post is for everyone who wants to see their words in print, the published and the unpublished and the newly “WINNING” nanowrimo masses and those who think it’s always easier in someone else’s writing reality. 

rewriting R

The reality is, the better you revise, the better your book will typically read for your reader. The more push it will have from your imprint. The more established you will find yourself within the very small world of publishing. Those who’re self-publishing without the benefit of a third-party editor, you’re in the same boat, except that you have to see the holes in your story that are more and more difficult to see the deeper you get into creating it. So we all schedule and accept it into our process the way you do everything else right?

revisions calendar

Yeah. No.

Why is it so hard?

Two reasons, one that veers toward mechanics and one that takes a head trip inward to the heart of all that we do for our creative dreams. (more…)

How We Write: Na-NO-Wri No!

Wednesday, November 23rd, 2011

There’s a startling trend I notice each December: how few NANO participants create consistantly AFTER their November, head-bashing-against-the-wall, word count deadline. I’m not talking about less writing the month after the challenge. What’s too common is that there will be NO writing in December at all. Which breeds no forward momentum of any consequence in January, February, etc…

nano quit

Because we’re burned out after such a grueling sprint? 50,000 words in a month leading up to a major holiday showdown with our sanity? Perhaps. Which begs the question, why do we systematically degrade that balance by throwing everything we can to the wolves while we focus on the very thing we don’t want to be the enemy when we’re done with our challenge: creatively writing toward a deadline every day. Why do we set ourselves up to fail, come December 1st?

Because we need a break to recoup our energy and muse? Yes. That’s pretty obvious. NANO tends to throw any number any number of other things out of balance as we gorge ourselves on the exhaustion that is producing story. Relationships. Friendships. Family obligations. Other responsibilities. All of which we try to keep up with as much as needed while we burn out on our “craft.” To the point that everything suffers by the end of the month (you know, right around the time that insignificant national holiday happens), including said story. (more…)

How We Write: NANOWRIMO and how we DON’T write!

Wednesday, November 16th, 2011

I have a concern every November that the sheer quantity of words everyone participating in NANO produces won’t result in finished pieces/novels that will ever be revised well enough to sell. But what cheers my heart every year is the sound of writers hitting their writing goals and learning a little more about what’s blocking them.

Writers Block Calvin and Hobbs

Because, here’s the thing. All writers arrive at this dream of creating and sharing our inner lives with the world, capable of absolutely shutting down our ability to write with nothing more than doubt and fear and frustration over how EASY it is for everyone else to do what is most difficult for us. When the reality is, IT’S DIFFICULT FOR EVERYONE.

Part of our job is learning how to write through the speed bumps of our inspiration and self-esteem and premonitions of failure. We have to believe in ourselves more than we do the growing pile of scenes and character sketches and rejected story lines that we ALL discard with every project.

writers block trashcan

This is called research and draft writing and immersing yourself in your project. (more…)

Writing Beautiful…

Thursday, November 10th, 2011

Twelve days, immersed in writing and writers and the beauty of creative minds seeing and sharing the world around them. I’ve come back from my sabbatical to a flood of social media NANO page count mania, and I have the strongest urge to shout, “Stop the Insanity!!!” Not that writing daily and being prolific isn’t my personal mantra, as a commercial fiction writer trying to make a living by producing pages that readers can’t put down. But there’s so much more to it than that, and my mind is still swirling with the other that sustains me. With images like this that inspire and guide and beguile you to make each word matter and resonate, even if it means less words that day:

lake sunrise color

Where I’ve been this last few weeks, a sunrise can look like this every day.This moment was mine, simply because I walked to the end of my friend’s doc. But how do I make it yours? How can I possibly show you how to feel this color, this openness, this majestic infinity the way I did a few days ago?

And then, just minutes later, there was this:

lake sunrise mist

How is it possible that light and air and water could shift around and inside me to become something wholly new, right before my eyes? (more…)