Archive for April, 2011

How We Write: The No More Excuses Approach to Rewriting

Wednesday, April 13th, 2011

Anyone–ANYONE–can deconstruct and rewrite a manuscript. Anyone can learn to rework a story one scene at a time. And we’re talking rewriting–NOT copy editing a manuscript to catch punctuation or grammar mistakes, or line editing to make sure prose flows beautifully. These techniques are important, but only after an author has dissected the first draft and rewoven it’s parts into the best story possible.

Today in How We Write Wednesday, we continue Jenni and my’s discussion of rewriting. I’ll do my best to cover the high points of a technique it takes me a two-day weekend workshop to teach properly. This is interactive stuff that I love to work with writes on, while they’re applying what I’m showing them to a work in progress. The result of one of these weekend retreats that I hope you’ll get after reading this post, too, is–

  • No more excuses for not rewriting.
  • No more hiding behind “not seeing” what needs to be changed in your story.
  • No more big, scary book that’s too complicated to rework.
  • You feeling in control of your creativity as you rewrite!

Once your draft is completed, the story can seem too complex to tackle, right? You feel too close to your work to be able to analyze and re-craft it. There’s just too much there, and it’s impossible to see where each change will take the story. It’s easy to find yourself rewriting in circles, never really getting anywhere. And who has that kind of time?

Under-Construction

So, let’s talk revision technique. Not HOW to do the revisions themselves–that will be for later posts this month.  Jenni and I have already shared a little of the nuts and bolts of rewriting and there’s more to come (and, frankly, fully learning how to revise a scene or a chapter or an act or an entire novel is more about trial and errror and learning from experience). But how to deconstruct what you have, so you can get to work on what needs to be done–THAT I can show you today ;o)

My goal today is to show you how to challenge each story component in your draft. Whether you think you’ve nailed it or not, whether you love what’s there as a whole or not, you need to take your draft apart and look at its pieces to be sure you’re getting the most from them individually and then as a whole.

You want to layer as much as possible into each moment in your story, right? To do that, you need to look individually at–

The pieces of your plot:

  • Story Structure (inciting incident, turning points, midpoints, black moment, climax/resolution)
  • Secondary Plots
  • Chapter and Scene Openings and Endings
  • Conflict and Motivation

The characters in in your story:

  • Protagonist’s Arc
  • Antagonist’s Arc
  • Secondary Characters’ Arcs
  • Point of View
  • Conflict and Motivation
  • Backstory

And that’s just to start. (more…)

Dream Theories: The Fantasies You Hide From

Monday, April 11th, 2011

Can we impact our waking worlds through dreams? Does being conscious while we sleep make us more aware when we wake? Does what we imagine challenge what is real? According to lucid dreaming concepts–yes. Dream stories reflect our waking emotions and hopes and fears. Embracing our fantasies inspires us to resolve our real-world challenges. It’s all connected. It’s all “truth.” It’s all us.

In Secret Legacy and Dark Legacy, I take this concept to the extreme. I send psychics into unsuspecting innocents minds to program and test dream behavior the sleeper is unaware is taking place, laying the seeds for homicidal daydreams to later be remote-triggered, making  the “host” mind a walking, untracable time bomb.

dangerous dreams

Not so uplifting a concept, but it was a totally cool variation to write ;o) And in both books, Sarah and Maddie Temple’s dream work is not only personal, but spinning out of control. They can’t save their waking minds, their legacy, or an innocent child whose gifts are being manipulated by government scientists, until Sarah confronts and conquers the deadly dream images she’s run from since she was a little girl.

Luckily, the challenges we face are less dire, but there’s still power in our dreams. There’s power in being aware and in control of our sleeping minds’ journeys and messages. Realistic or normal or fantastical, there’s the potential for great revelations waiting for us in our sleeping worlds. Plugging into our dreams more lucidly can be exhilarating.

I’m one of those people who realized early in life that I could be conscious in dreams. There were times, even as a child, when I knew I was thinking and feeling in an altered, virtual place that was only a reflection of my waking life, and all the while I somehow knew I was asleep.It started out as fun. Freeing. There was a dreamlike quality to everything, and for a girl with a vivid, overactive imagination, what could be better!

Then, around the time I was in college and my computer programming and math classes kept me up late most nights with advanced algorithms and problem sets to puzzle through, I realized that my dreams were working overtime for me even after my conscious mind turned off.I’d fall asleep with an unsolved problem on my mind, and too often to be a coincidence would wake the next morning with the next piece of the puzzle waiting for me.

advanced math

Not every time, and at this point I was too tired and over scheduled to be aware of what my mind was doing. I didn’t remember the dreams, but that part wasn’t important. (more…)

Things My Teenager Says: Yu-Gi-Oh! and Me, Kid

Saturday, April 9th, 2011

The King of Games. That’s one translation forYu-Gi-Oh!, the Magic & Wizards dueling card game and anime show my teen has been fascinated with in various incarnations since he was five or six years old. The magical world that fired his imagination and a unique bond between the two of us from the very beginning…

“I’ll never be a writer like you, Mom,” he says to me one day when he’s in second grade, when we’re in between leaving  the book store (back when Mall’s still had book stores) after buying a collection of Calvin and Hobbs he’s been wanting and heading for the trading card store we always stop at when we’re there, no matter what. “I don’t want to do that.”

“Write novels?” I glance down at the Borders (because this is seven years ago, sniffle) bag filled, with a book that used to be hundreds of individual cartoons that he’d read once a day, but put together in an anthology have become something more. “No, I don’t necessarily see you writing a novel. But telling stories? You already are, with your imagination.”

“No I”m not,” he says, “I like math.”

And just that simple, just that young, the lines have been drawn.

Then we turn the corner into his favorite store and he pulls out his newest “winning” deck of magic cards and gets lost in the stories he creates each time he plays.

yu-gi-oh

He’s not just a collector, even at this age. Even though he searches each display case he stumbles across for the magician or the dragon he’s missing. It’s not just about having something that a friend doesn’t have, even though for birthdays and Christmases for years he’ll ask for one of the “rare” cards that costs us more than a top-end video game. It’s about how he puts the cards together to battle and defend and the strategy that goes with which type of deck he builds, until any game someone plays with him becomes a unique story–HIS story.

“It’s a magic deck.” He says a few years later, when he’s about to start Middle School and most of his friends have stopped playing. Stopped dreaming. Stopped dueling with vivid cards filled with characters that have strengths and weaknesses and  powers and realities that rush back each time you bring them to life again.

“But I thought you liked the Dragons,” I say, because I do. They seem so fierce and powerful and grrrr…

“Everyone does the dragons. People don’t know how to defend against  a magic deck.”

It’s about being unique and different at this age. It’s about playing and winning his way, and surprising the older kids he duels with. And, evidently, about keeping it quiet that he still dreams and tells stories this way. My kid is aware and doesn’t so much care that some of the things he likes (computers and math and chemistry, vintage TV, tennis instead of football and baseball, and, yes, cool fantasy/role-playing games) aren’t what everyone thinks is cool. But he knows I do. Everything he is and wants and dreams is cool with me. And not just because he’s my kid. I share some of his off-center fascination with imaginary worlds, and that’s becoming cool, too.

“After all,” I admit, “I played Dungeons and Dragons in high school. I wasn’t very good at it, but I was a tree sprite. I loved playing.”

“That’s weird,” he says, but he’s smiling and showing me more of his cards and explaining how each one works and how the deck works together. “You’re so weird, mom. Here. Why don’t you take one.”

It was a Soul of Purity and Light card, and I have it in my wallet to this day…

soulofpurityandlight (more…)

Publishing Isn’t for Sissies: I’m A Recovering PR Wuss

Thursday, April 7th, 2011

Modern authors must promote. Even the top dogs. But what if you’re a writer who cringes at the thought of sell, sell, selling yourself to your audience? Suck it up, TPTBs say.  And, well, they’re mostly right. Mostly. Because not everyone will promote effectively the same way. And too much of the advice we hear these days is that THIS or THAT are the only ways to really entice more potential readers to give your stories a try.

Bull.

Don’t drink the Kool-Aide.

Yes, a writer’s business must include a healthy dose of consistent promotion planning an execution. And unless you’re one of the lucky few “branded” authors out there, what you affectionately refer to as your PR Department will be comprised primarily of you and you alone.

But, where I see most hard-working, business savvy writers flounder (myself included) is when they attempt to force themselves into a promotion mold that doesn’t fit their personality, strengths, writing genre and time/lifestyle demands. We’re not all natural sales or marketing persons.We don’t all have time to travel or the gifts of public speaking. Some of us cringe when confronted with crowds, can’t introduce ourselves to strangers without breaking out in hives, and don’t have a knack for the quick and prolific writing schedule demanded of a daily blogger.

blog-promotion

So what do we do, when we’re told that one or more of of these missing traits are THE ONLY WAY WE’LL BE SUCCESSFUL as a modern writer?

First of all, we remind ourselves that it’s the quality of the story and our passion for what we’re writing that’s most important. Ignore the PR/Marketing guru that tells you to promote first, write second. If you don’t believe your story is the best it can be, if you don’t absolutely love what you’ve done and if you’re not prouder of it than anything else you’ve ever written, how the hell are you going to honestly, authentically promote it to readers? Do the work first. Do it well. Protect the writing.

Second, we take inventory of what we do well, or more importantly what we DON’T do well. Me? I don’t hand sell. (more…)

How We Write Wednesday: OUCH!!! Critique and Editorial Revisons

Wednesday, April 6th, 2011

Ouch! Other people’s revision notes hurt. A lot. No writer loves being told that what they’ve crafted doesn’t work for the reader. Even light critique or editorial revision comments can be painful to work through,  but WE NEED THEM. Eh-hem. Yeah, this is going to be one of those tough love HoWW posts I know you love so much…

Don’t think I don’t sympathize with a writer’s sensitivity to hearing constructive criticism.It’s never easy for me, turning a manuscript over to a beta reader (akin to dropping my creative pants in public) or my agent or editor and asking them to show me where the story breaks down (where I need to get back to the gym and work on the gushy parts). But I do it. Because I’m a professional writer, and I adore my readers, and I want every book to be the very best it can be. AND I can’t get the story and plot and characters and setting and theme and symbol and narrative structure, etc. there completely on my own.I know that while I draft, everything’s not always going to be perfect the minute my creativity poops it out ;o)

critique pig

We’re too close to our work once we’re in the thick of the writing. We’re no longer seeing the story’s journey from a reader’s perspective. At some point, our writer’s experience becomes the tunnel we see through. Which means, we’re in the tall grass (yes, I’m having fun with metaphor today, since Jenni’s doing the bulk of the HoWW post work), losing our way even as we write something unique to our voice that we want readers to love.

To be worthy of that love, we have to be willing to let go of a little of our creative control. At least long enough to ask the writing professionals we trust where we’re not getting the story right.

Enter the very necessary critique and editorial revision phases of your creative process. (more…)

Dream Theories: Color Your Emotional Truth

Monday, April 4th, 2011

Do we dream in color? Can the colors in our dreams function like an internal mood ring? My research writing my new sci-fi / fantasy Secret Legacy tells  me so. So much so, that color becomes an important clue to revealing the Temple Legacy’s volatile, potentially deadly secrets. Because color reveals mood in our sleeping worlds.

Whether you remember them or not, most agree that we see our dreaming realities like we do our waking ones–in color. So why do so many people believe they only see things in black and white while they sleep? Since dream images fade quickly, unless we work on remembering them as quickly after waking as possible, the colors just as easily disappear with them. Also, how often do we actually stop and notice color in our daily lives? How aware are we of the hues in our environment while we’re awake? The answer tends to be “not often” for most people. Why would our dreaming awareness of color be any different?

color explosion

Plus, there’s the emotional tie between dream colors and our awareness of a sleeping vision’s meaning. Remember from past Dream Theories posts that emotion is the single, strongest, most universal tie between a dream and the dreamer’s reality. Our feelings and emotional reactions to what we’re seeing are often our only “real world” connection to the crazy stuff our minds obsess about while we’re asleep.

When I encourage people to work on techniques that allow for more lucid dreaming, I always start with making you more aware of your feelings before you sleep, while you’re dreaming, and immediately after you wake.  Many people are uncomfortable at first, connecting with the strong emotion that feeds the creation of our sleeping realities, but making the conscious decision to do it can be an exciting step toward understanding what our dreams are trying to tell us. Color works the same. Color is your mind’s way of reflecting emotion and mood within a dream. Which in turn can mirror the emotion and mood of our waking reality, and how we feel about things we need to do to make our lives better. Things we often avoid or resist or are too worried or scared to attempt.

Think about it. (more…)

Publishing Isn’t for Sissies: Michelle Grajkowski–An Agent’s Perspective on the Digital Wave

Friday, April 1st, 2011

Yesterday’s PIFSsummarized several best selling author’s perspective on the indie-traditional publishing debate. And Publisher’s Weekly’s thoughts on what makes indie work. Today–let’s talk to agent Michelle Grajkowski of 3 Seas Literary Agency,a 10-year industry insider who’s seen this coming (while she launched NYT’s best selling careers), navigated her and her author’s way through the early stages of it, and is currently shifting her own business now that the digital wave is crashing onward, to better help those same authors.

michelle

Yes, she’s my agent. No, I’m not one of her A-List clients. Yet. But she’s fighting just like I am to get me and all of her authors there, wherever there is and whichever publishing path each individual career takes. I believe with all sincerity that she’s an author advocate in this business. She’s tough and insightful, understanding and flexible, level-headed but determined to negotiate for everything her clients should have, every step of their career. In short, she’s an amazing business partner and advisor and friend.

And those are just a few of the reasons I hope everyone who’s panicking and pointing fingers and pushing to the extreme and making rash decisions because the publishing sky is apparently falling, again–or just those of you who are open to and curious about a savvy insider’s perspective–take a few minutes to read on. You won’t be disappointed ;o)

Everyone welcome Michelle Grajkowski to Publishing Isn’t for Sissies!

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Twenty years before Julie Andrews floated down from a cloudy sky into London to save a dysfunctional family in Mary Poppins, the movie industry was shaking in its boots.

sound-of-music-photo1

Studio executives in the 50’s were very worried that their blockbuster movies were a thing of the past – thanks to the hit new box that sent pictures straight into people’s homes. And, they weren’t the only ones sweating.

Radio stations across the globe were frightened because no longer were families gathering around the radio to hear great classic like The Bob Hope Show, when they could tune in and see him live in their living room.
Flash forward to 2011. Publishers, authors and agents are feeling these same concerns in regards to the publishing industry. Bookstores are closing and bankrupting, e-readers are selling at all time highs, and buying habits of the readers are changing.

And, that, my friends, is the key word – CHANGE. (more…)